Technique atlas

Throws

Five fundamental throws. Uke does not fall because they are pushed, but because their own movement unbalances them.

Plate 01

Shihō-nage

Four-direction throw

Born from sword work: raise uke’s arm, turn under it and cut down.

Attack Gyaku-hanmi katate-dori

Shihō-nage
  1. Uke grabs the wrist (gyaku-hanmi katate-dori).
  2. Tori takes uke’s wrist and raises both hands like a sword.
  3. Pivot under the arm: uke’s elbow folds over the shoulder.
  4. Tori cuts down; uke falls backward.

Plate 02

Kote-gaeshi

Wrist turn-out

The wrist is turned outward, following its natural direction of flexion.

Attack Shōmen-tsuki

Kote-gaeshi
  1. Uke attacks with chūdan-tsuki.
  2. Tori evades, takes the fist and leads the attack.
  3. Kote-gaeshi: the wrist is turned outward.
  4. Uke falls over the wrist.

Plate 03

Tenchi-nage

Heaven-and-earth throw

One hand rises to heaven, the other sinks to earth: uke’s balance is split in two.

Attack Ryōte-dori

Tenchi-nage
  1. Uke grabs both wrists (ryōte-dori).
  2. One hand rises to heaven (ten), the other sinks to earth (chi).
  3. Tori enters deeply; uke is unbalanced backward.

Plate 04

Irimi-nage

Entering throw

Enter behind the attack, turn uke around your centre, then enter again.

Attack Shōmen-uchi

Irimi-nage
  1. Uke strikes shōmen-uchi.
  2. Irimi: tori enters beside uke and takes the neck.
  3. Tenkan: tori pivots and leads uke around.
  4. As uke comes up, tori’s arm rises in front of the face.
  5. Tori steps through, uke falls backward. Zanshin.

Plate 05

Kaiten-nage

Wheel throw

Uke’s head stays low while the arm turns like a wheel: uke leaves in a forward roll.

Attack Gyaku-hanmi katate-dori

Kaiten-nage
  1. Uke grabs the wrist (gyaku-hanmi katate-dori).
  2. Tenkan: tori pivots beside uke, sweeping the arm down.
  3. Uke’s head is kept low, the arm raised like a wheel.
  4. Thrown forward: uke rolls (mae ukemi) and stands up.